Introducing 73 world-leading artists who participated in the exhibition at BAB 2022 CHAOS : CALM Chaos : Peace

51. Pinree Sanpitak

Born 1961, Bangkok, Thailand

Pinree Sanpitak is widely regarded as one of the most important contemporary artists in Southeast Asia. Her work often studies the body and human anatomy as a means of transmitting experience, or the body’s perspective and sense of space. and the ability that drafts can be stimulated to stimulate symbolic and conceptual perception. Pinri uses a method to reduce the shape of the breast to a simpler shape such as a container or a rounded hill. which, for her, is linked to the image of the Buddha image (the temple) and the monk’s alms bowl. The artist compares this shape to the primary shape. or a sacred form that exists naturally Thai traditions and culture Buddhist architecture and the practice of Buddhist concepts as well Thus, her work transcends interpretations that are limited only to gender, religion and culture.

Pinree’s research on physiology and sensory also extends to materials. in the past three decades The artist has produced works in a variety of media including painting, collage, printmaking, sculpture, installation and performing arts. is the constant interest in the possibilities of the body. Her own figure as a space of perception and the physical experience of women and especially in the latter interest in body interaction that arises from her participation in the area and the work she has created as well

Pinree’s work Sanpitak has been exhibited at many international art festivals such as the Setouchi Triennale (Japan 2019), the 18th Sydney Biennale (2019), the Busan Biennale (2019). 2008) and has exhibited works at world-class museums such as the Arnheim Museum. (Netherlands) National Gallery of Singapore Singapore Art Museum, ILHAM Gallery (Malaysia), Queensland Art Gallery | Gallery of Modern Art (Australia), Tokyo Museum of Modern Art (Japan), New Contemporary Art Museum (Thailand), etc. Lapathon from the Ministry of Culture in 2007 

Pinree Sanpitak has works in world-class collections including Fukuoka Asian Art Museum (Japan), Queensland Art Gallery | Gallery of Modern Art (Australia), Los Angeles County Museum of Art ( United States of America), Asian Art Museum San Francisco (USA), Bill & Melinda Gates Foundation (USA), Nasher Museum of Art (USA), Tokyo Museum of Modern Art (Japan), Chulalongkorn University (Thailand), Arter–Vehbi Koç Foundation (Turkey), and M+ Museum (Hong Kong).

52. Satu ≠ Padu Collaborative

Established 2021 Narathiwat, Thailand

Satu ≠ Padu Collaborative Founded in 2021, this time is a collaboration between artists and activists from a variety of groups, with Prach Pimanman and De La Paie Artspace, coordinating the project by Keeta Isara. Working with local people in Pattani, Yala and Narathiwat provinces, Checkpoint No#2 THE LIVING ARCHIVE works as part of the exhibition [R]Ejecting Mantra # CH 1: The Enmeshed (2017/2019 ), research project and Continuous contemporary art exhibition by Rui.D Collective and also working with Halal Life groupthat will lead to the exploration of neighborhoods in the area that connects between the Malay Bangkok that tells the history of the area It leads to a connection with the Patani region (Pattani, Yala and Narathiwat) that tells the story of violence and conflict from various perspectives on the line of studying the history of the area’s connection. through installation in the form of installation work Animation, sound and community interaction

53. Ganzug Sedbazar

1978 Mongolia

After the collapse of socialism in 1991 in Mongolia The citizens and artists of Gansuk Sedbazaar’s generation enjoyed their greatest artistic freedom. As a child, Sedbazaar lived through a period of turbulence when the great upheavals occurred in Mongolia. economic, social and ecological This experience had a profound influence on his artistic practice. 

His work has been exhibited at Ulaanbaatar International Media Art Festival, Bogd king Palas Museum Ulaanbaatar (2019); Bogd Khan Palace Museum, Ulaanbaatar; Teahwa River Eco Art Festival, Ulsan, South Korea, Human Cairns, , Performances by Ganzug Sedbazar and Davaajargal Tsaschikher, produced by Lovely Daze at C-Lab, Taipei, Taiwan (2018); The 56th Venice Biennale (2015), he received a special award at the Land Art Biennial, Mongolia (2014).

54. Chiharu Shiota

Born 1972 Osaka, Japan

Chiharu Shiota ‘s inspiration often stems from personal experiences or emotions as she develops into human concerns such as life, death, and relationships. She gave new meaning to the concept of memory and consciousness by collecting the simple things like shoes, keys, beds, chairs and dresses. and she used threads to cover those items to form a gigantic structure. She finds the feeling of ‘existence in non-existence’ in her installations. As she expresses her sense of selflessness in her sculptures, paintings, performance videos, photographs and canvases, in 2008 she received the Art Encouragement Award. for new artists From the Ministry of Education, Culture, Sports, Science and Technology, Japan, in 2015, Shiota was selected to represent Japan at the 56th Venice Biennale.

Her works have been exhibited in international institutions around the world, such as Espoo Museum of Modern Art (2021), Museum of New Zealand Tepapa Tongarewa (Wellington, 2020), Mori Museum (Tokyo). 2019) Gropius-Bau (Berlin 2019) Art Gallery of South Australia (2018) Yorker Sculpture Park (UK, 2018) Power Station of Arts (Shanghai, 2017) K21 Kunz Nordrein-Westphalia (Dusseldorf P 2015) Artur M. Sagler Gallery at the Smithsonian Institution (Washington, D.C., 2014) Museum of Art (Kochi, 2013) ) and the National Museum of Art (Osaka, 2008), etc. She has also participated in many international exhibitions such as the Oku-noto International Art Festival (2017), the Sydney Biennale (B.E. (2016) Echigo-Sumari Art Triannale (2009) and Yokohama Triannale (2001)

55. Timur Si-Qin

Born 1984, Berlin, Germany

Timur C-Qin was interested in the evolution of culture. Cognitive dynamics and contemporary philosophy He weaves them together to create a new kind of environmental art. through the creation of various media formats It includes installation art consisting of 3D printed sculptures, light boxes, websites, texts and virtual world simulations. Xi-Qin’s work often defies the general concept of organic vs synthetic nature and culture Humans and non-human things and other parallel concepts at the heart of Western thought. His solo exhibitions are Take Me, I Love You (Von Ammon Co. 2020), New Peace (Spazio Maiocchi 2018), Forgiving. Change (The High Line 2018) East, South, West, North(Magician Space 2018), etc. Group exhibitions include the 1st Diriyah Contemporary Art Biennale (2021), the 2nd Riga International Biennial of Contemporary Art (2022), the Ural Industrial Biennale of Contemporary Art, the 2nd time. The 5th (2017), the 9th Berlin Biennale for Contemporary Art (2016), the 9th Taipei Biennale (2014), etc.

56. Maitree Siribun

Born 1983, Ubon Ratchathani, Thailand

Maitree Siribun is an independent artist. After graduating with a bachelor’s degree from the Faculty of Painting, Sculpture and Graphic Arts, Silpakorn University He began his career as a photographer. He used the photograph to ask questions about “Hierarchy of culture” and “Isan identity” in his first works “Isan Boy Dream” (2006), he invited friends from various nationalities and colors to visit his village near Ubon Ratchathani Province . Both the northeastern region, the northeastern region developed where service workers in Bangkok A large number of immigrants left and Silom Soi 4, the old gay district of Bangkok. In his work during this period, however, the artist was often anxious to think back to himself as the breakup, conflict and fragility quickly became known with these works.

He also gained attention for his beautiful large mosaic collages. Influenced by the colorful glass mosaics that decorate Thai temples. And that includes his placement and performance.

Maitree’s work has been shown throughout Southeast Asia and elsewhere, such as at the 4th Guangzhou Triennial (People’s Republic of China 2013), Photoquai (Paris 2013), Art Stage Singapore (2013). 2014 and 2015) Me Love You Long Time (Boston Center for the Arts, USA, 2015) Was ist Heimat (Museum Orth, Austria, 2017) Isan Contemporary Report (Bangkok Art and Culture Centre, 2017). ) Spectrosynthesis II (Bangkok Art and Culture Center 2019) until May 28, 2022. Works from various creative eras and new works for the Kwai exhibition – sometimes I wish I was a Water Buffalo will be displayed . At Head High Second Floor, Chiang Mai’s new non-profit art space

His artwork can be found in major private collections around the world.

Maitree Siribun lives and works in Ubon Ratchathani and Bangkok, Thailand.

57. Wantanee Siripattananantakul

Born 1974, Bangkok, Thailand,
Wantanee Siripattanananthakoon Residing and working in Bangkok Her works often address social, political, economic and cultural issues from a critical perspective. and question the meaning of life Her past works include a wide range of genres. including video art, sculpture, installation, and often using new media. Group exhibitions that Wantaney participates in include BIENALSUR, The State of Things , curated by Benedetta Casini and Leandro Martinez. De Pietri (Museo MACRO, Santiago, Argentina) Watch and Chill: Streaming Art to Your Homes exhibition co-curated by Jihoi Lee (MMCA Museum Seoul), Jocelyn Cruise (MCAD Manila Museum), Git. Tama Jareeprasit (Brand New Contemporary Art Museum, Chiang Mai) Silkay Schmikle (M+, Kowloon and Hong Kong) (2021) ExhibitionERRATA: COLLECTING ENTANGLEMENTS AND EMBODIED HISTORIES Selected by Krittiya Kawiwong (Brand New Museum of Contemporary Art, Chiang Mai 2021) The Listening Biennial Selected by Buddhathitaya Chattopatya Brandon Laballo Israel Artinez and Yang Yong (Errant Sound Berlin 2021 Art Space),  A Life Beyond Boundaries (The Geography of Belonging) , curated by Loredana Pazzini Parachani (JWD Art Space). Bangkok, 2021). Displace, Embody , selected by Dr. Patrick D. Flores (UP Vargas Museum, Manila 2020). Painting with Light , an online exhibition collecting collection of short films. and stories about Southeast Asia (National Gallery Singapore 2020) Transocean ExpressSelected by Alexander Melo (Galería Presença Porto, 2020)  in the era of Asia’s Post-LCC (co-organized by Kyoto Art Center and Tra-Travel, Kyoto 2016). 2020) and the solo exhibition A broken ladder on display at Gallery Ver (2018) Wantanee Siripattananantakul Together with the artists Niphan Oranniwet and Jitti Kasemkitwattana, founded an online space project called encrypted/decrypted on Instagram, Facebook and Spotify (2020)

58. Or Noppawan Sirivejkul

Born 1968, Bangkok, Thailand

Aor Noppawan Sirivejkul is a Thai artist in the field of live performance art. residing in Bangkok She is considered one of the most dedicated and enthusiastic Thai artists in the field of live performance. she has worked together and exhibited her work with the artist Mongkol Pleangbangchang. under the project name blurborders International performance art eXchange and previously worked as ASIATOPIA Project Manager from 2008 – 2017

In 2007, she received a grant from the Office of Contemporary Art and Culture (NESDB), Ministry of Culture of Thailand. to exhibit her work in Poland and in 2013 received support from the Bangkok Art and Culture Center to participate in an art fair in Israel and in 2016 she was selected as one of An artist participating in the Bangkok / Quebec exchange in Quebec, Canada, she has also been invited to participate in various performance festivals. in many countries since 2003

Her cross-disciplinary work spans media from photography to acting. and often contain stories that combine beauty and dryness in life. including criticizing the violence of humanity and the impulse that causes alienation

59. Wasan Sitthiket

Born 1957 Nakhon Sawan, Thailand

Wasan Sitthiketis one of Thailand’s most recognized and respected social contribution artists. He graduated from the Fine Arts College in 1981. He works with all kinds of media including poetry and music. He is interested in community and civic responsibilities as a member of Thai society in the 21st century. His focus areas include urban-rural conflict. The overthrow of Buddhism for political gain The abuse of power, corruption, the erasure of Thai history, ecology and nationalism. His eye-catching work talks about how evils devour contemporary Thai society through its many expressions. From sarcasm and caricature to the most ingenious metaphor, his work was lit at the 1st Asia-Pacific Triennial of Contemporary Art in Brisbane (1993); Asian Modernism Exhibition: Japan Foundation Diverse Developments held in Indonesia, Philippines and Thailand (1995-1996); Venice Biennale (2003); 6th Gwangju Biennale (2006); Making History: How. Southeast Asian art reconquers the past to conjure the future (Esplanade, Singapore, 2010); Negotiating Home, History and Nation: Two decades of contemporary art in Southeast Asia (Singapore Art Museum, 2011); and The Roving Eye: contemporary art in Southeast Asia (ARTER/Koc Foundation, Istanbul, 2014), among others. His work is in the collections of institutions such as the Singapore Art Museum, Queensland Art Gallery and Fukuoka Asian Art Museum Negotiating Home, History and Nation: Two decades of contemporary art in Southeast Asia (Singapore Art Museum, 2011); and The Roving Eye: contemporary art in Southeast Asia (ARTER/Koc Foundation, Istanbul, 2014), among others. His work is in the collections of institutions such as the Singapore Art Museum, Queensland Art Gallery and Fukuoka Asian Art Museum Negotiating Home, History and Nation: Two decades of contemporary art in Southeast Asia (Singapore Art Museum, 2011); and The Roving Eye: contemporary art in Southeast Asia (ARTER/Koc Foundation, Istanbul, 2014), among others. His work is in the collections of institutions such as the Singapore Art Museum, Queensland Art Gallery and Fukuoka Asian Art Museum

60. Myrtille Tibayrenc

Born 1980, Glamar, France

Having served as the director of Tuyung Art Center since 2008 , Myrtill Tibayrenx is known for his non-traditional work as a curator. including her recent work as an artist That started with a well-received launch from the exhibition at Serendia. Gallery in Bangkok in 2017. Since then she has continuously exhibited in both alternative spaces. and art institutes that are recognized both in Bangkok and Chiang Mai With the situation causing the mosquito art center to close amid the pandemic So she focused more on her painting.

Tibayrenx is a French citizen and grew up in Bolivia, the United States and France. She graduated from Ecole de Beauzare in Dunkirk. and continued his studies in art at Ecole de Bozar in Marseille. Before she immigrated to Thailand in 2006, the concrete works Inspired by both observations and photographs, and the connection of images to data. Which is clearly a painting and has a provocative temperament. She produces a large collection of works. which she paints in chunks, similar to the walls of the former Voto found in churches His painting works are very small. Each piece works like a symbol. and on wood or canvas Her work is set up with a central piece that stands out against a plain background. Her chosen techniques and themes were directly inspired by leading artists of the Renaissance era. This drives her work to be timeless and timeless at the same time.